Tuesday 10 November
JOURNEY opens to the public around lunchtime. The trickle turns into a
stream and builds throughout the afternoon. At times the queue runs to 50
people with heads buried in the JOURNEY newspaper, which tells Elena’s story
punctuated by Laura Carlin’s poignant illustrations. It is such a beautiful tactile
object. The collision of childish handwriting, elegant aesthetic, and violent
content compounds the shock.
We have a fantastic team from the Foundation in London, but also many
volunteers living in New York City. They hum around in branded T-shirts, invite
passers-by to experience the show, and cushion them when they emerge. Many visitors
feel profoundly disorientated. We give them a form to fill in and ask for their
thoughts. They rest on their clipboards and hunt for words which we pull
together to strengthen our messages.
Some visitors want to talk – need to talk – can’t stop talking. We
speak to a couple from the Anthropology Department at Connecticut University.
They want to know if there is any escape, any cathartic redemption. We explain
that there are few happy endings. Being trafficked for sexual exploitation is
as brutal and nasty. Recovery is not about getting better. The trauma and loss
of self - like any kind of torture - goes so deep, it fissures the rest of
their lives.
Grim conversations about parents selling children today. Many
families in developing countries are so terminally destitute, a westerner
asking to buy their child is like a gift from the gods. Even if they suspect
the child might be mistreated, it could be a route to EDUCATION as opposed to a vicious cycle of poverty. Many children
are trafficked to work as domestic servants. Occasionally a neighbour might
mention a passing concern to the police, and raids on affluent families in
exclusive neighbourhoods reveal children forced into thankless servitude and living
in cupboards. The KPIs (key selling points) of trafficked people is that they
have no status, no rights, no protection. You can do what you want with them,
and then sell them on when you’re tired of them.
A student from NYU is very confused by it all. He stands in front of us speechless and slightly shaking. He asks if we mind if he goes to the park to have a cigarette.
I hunker down with my laptop on a wobbly chair under the HBF tent -
which serves as information centre, chill out room, bag depository, therapy
pool, pizza bar, coffee station – and leaf through visitors’ comments. We
already have thousands of sheets with names and email addresses. Here are a
few…
“What am I supposed to do…?”
“I had read about these atrocities in articles, but BEDROOM made me
feel it.”
“I appreciate my privileged place outside of this horrifying,
damaging world of cruelty, profit and deep malfunction.”
Constant stream of people coming to the tent. Dollar bills going into
the buckets. T-shirts and newspapers spirited away. JOURNEY asserts itself on a
location. It radiates a subliminal sense of brooding fury. The metal containers
are saturated in the emotions of thousands of visitors. People tumbling out are
like swimmers coming up for air. Then they become quietly internalised. They
don’t really know what to do with it. We hope they become slow burning fuses
that trigger small explosions.