Monday 9 November
Press day in Washington
Square. Reporters arriving by the minute to interview Michael and Emma - who
has already done morning TV shows. The day started off rather flat. No one
really knowing what to do. Like the moments before a party, when everything is
ready and you wonder if anyone will turn up. By 3 pm there is a tangible buzz
developing. Lots of students at New York University bursting with searching
questions. Keen to learn. Deeply sympathetic. We begin to sense a real difference
between this location and Trafalgar Square – where many of the visitors were
tourist or fallout from the National Gallery.
We are berated
by a woman who arrives at the stand feigning interest but then turn on us. She
has been making operatic entrances throughout the setting up. This is HER street and FILM CREWS and ROAD WORKS
are INVADING HER SPACE and they are
WRECKING WASHINGTON PARK and she is just SICK AND TIRED of the noise and NO ONE
CONSULTED THE RESIDENTS…but despite us being a PAIN IN THE BUTT she really likes JOURNEY! She is
terminally angry at the world and if we can win over people like this we must
be doing something right.
Mid-afternoon
a little man with a big voice appears out of the park and starts directing the pedestrians
– mostly students going from class to class. Washington Square is a home for
many wandering minstrels who enact a constant theatre in their heads, and who
the city happily accommodates.
I accompany a
small, frail but feisty New Yorker through JOURNEY. She tells me her parents
were from Berlin and she just knew all about being a stranger in a strange
country where you don’t speak the language or understand the culture. She
studied every container minutely lingering long over every obscenity and
turning to me, pointing with a barely suppressed fury. Walking through with her
I start to see things in different ways. She could not see through the highest
oval windows in UNIFORM exhibit, so I found myself in this shipping container,
in this street, in New York describing the detail of leopard skin push-up bras,
sequinned panties, and PVC G-strings.
James Ostrer
appears who worked on the CUSTOMER container. Up until a few years ago he was
painting scenery for a living, but was concussed by a falling structure and the
incident made him re-think his life. His words and pictures of man porn is a
stunning piece of work - on a par with the best fine art installations I have
ever seen. We talk about why men abuse women. James says it is because they
hate themselves and they take it out on others. I have been having many
discussions in London about how FEAR of so many things, causes so many people,
so many problems. Look out for Dr Bob Johnson on this subject.
Helen is being
rushed off her feet but her knees are going. We conspire to glue her to her
chair. Every time she sits down, someone else arrives wanting a piece of her.
Every grim story she tells adds another dimension for me.
Here is a glimps of the inside of each of the 7 containers...
Hope by Michael
Howells
Journey by Mick Martin
Uniform by Sandy Powell
Bedroom by Sam Roddick,
Trevor Robinson and Quiet Storm Films
Customer by James Ostrer, Simon Stephens
Stigma by Anish Kapoor
Resurrection by Emma Thompson, Mike Dempsey and Laura Carlin